Senzo Mfundo Vilakazi, popularly known as Kwesta is redefining the South Africa’s Hip-Hop music and is set to release his sixth studio album, dubbed “The Big Bro Theory,” in May 2025.
As a prominent figure in South Africa’s hip-hop scene, Kwesta reflects on his journey and the evolving landscape of African music, emphasizing the importance of enjoying the craft over competition.
Key Takeaways
- Kwesta’s new album aims to promote positivity in hip-hop.
- The artist highlights the competitive nature of the genre and the need for enjoyment.
- African music, particularly hip-hop, continues to thrive alongside Amapiano and Afrobeats.
- Kwesta sees his role as a mentor to younger artists, encouraging them to focus on the music.
Kwesta’s Journey in Hip-Hop
Kwesta began his career at the young age of 15 in Katlehong, a township in Gauteng, South Africa.
Over the years, he has established himself as a leading voice in the hip-hop community, earning the nickname “big brother” for his influence and mentorship.
His upcoming album, “The Big Bro Theory,” is a reflection of his personal and artistic growth. Kwesta aims to create a body of work that emphasizes positivity and enjoyment in music, countering the often cutthroat nature of the hip-hop industry.
The Evolution of African Music
While genres like Amapiano and Afrobeats have gained international acclaim, hip-hop remains a vital part of Africa’s musical identity.
Kwesta acknowledges the significance of hip-hop in the broader context of African music, stating that the genre’s roots can be traced back to the continent.
In 2023, the 50th anniversary of hip-hop was celebrated globally, with many recognizing Africa’s foundational influence on the genre. Kwesta echoes this sentiment, noting that the call-and-response style inherent in rap is deeply rooted in African musical traditions.
Embracing African Representation
Kwesta expresses excitement about the growing representation of African artists on the global stage. He believes that the rise of Afrobeats and Amapiano is a long-overdue recognition of African talent. However, he remains committed to hip-hop, stating, “I’m a Hip-hop guy. I came up through Hip-hop.”
He emphasizes the interconnectedness of African artists, regardless of genre, and celebrates the attention being given to their work.
“The Amapiano artist grew up just down the road from you and the Hip-hop artist maybe grew up just up the road.
I’m just happy that there’s attention to African artists and African musicians and these are my neighbors,” he says.
A Call for Unity in Music
As a seasoned artist, Kwesta feels a responsibility to guide younger musicians. He encourages them to focus on the essence of music rather than using it as a tool for selfish gain.
“It’s a great weapon when used for unselfish reasons, it works perfectly, and it’s dope to spread a message,” he explains.
Kwesta’s vision for the future of hip-hop in South Africa is one of unity and enjoyment. He hopes to inspire a new generation of artists to appreciate the craft and the culture, ensuring that the joy of music remains at the forefront of their work.
In conclusion, as Kwesta prepares to release “The Big Bro Theory,” he stands as a beacon of positivity in the hip-hop community, advocating for a return to the roots of music and a celebration of African artistry.
